Tonight at 7PM I will be reading the poetry of Elise Cowen, also known as Beat Alice, at the Beat Museum in San Francisco. More information about the event can be found on the Museum
website. For now, I would like to talk about Elise herself.
Elise Cowen, though dead more than a quarter century, is in
many ways more tangible than many of the other Beat women. She is alive in the
pages of Joyce Johnson’s Minor Characters
and in the memories of many of the survivors of the Beat Generation whom she
marked forever with her generous friendship. Janine Pommy Vega, with whom Elise
lived for a time, says, “I still think about her every day. She was the
smartest person I knew.”
Elise was born to a relatively well-off family on Long
Island who were given to high-strung histrionics interspersed with brittle
attempts at normalcy. Her parents had achieved the American Dream with the
perfect house in the perfect neighborhood and the perfect job. More than
anything, they wanted the perfect daughter to complete the ensemble, and Elise
became the focus of their rages.
Although Elise didn’t make good grades, she was extremely
bright and read extensively. Poetry, especially the works of Ezra Pound and
T.S. Eliot, were particular favorites, and she could quote them at will, just
at the right moments. She favored the darker poetry most of all, suggesting a
shadow side to the good-friend persona she kept on display.
She attended Barnard in accordance with her family’s plans,
but didn’t flourish in the ways they had hoped. Instead, she met Joyce Johnson
and Leo Skir, among other Beat players, and got involved with her philosophy
professor. Elise doted on the professor, who led an exciting life and had a
child but no apparent wife. He also had lots of friends traipsing in and out of
his messy apartment while Elise cleaned up and baby-sat for his two-year-old
son.
This relationship proved the portal to Elise’s future; when
his friend Allen Ginsberg arrived on the scene, Elise recognized a twin soul.
(Joyce Johnson mentions how they even looked alike during that time.) They
slept together for a while, but when Allen moved on, Elise was never quite able
to let go. Ironically, Allen and Elise both met Carl Solomon (for whom Ginsberg
would eventually write “Howl”) in separate stays at mental hospitals, which
Elise took as a sign that they should be together. Allen went to a psychiatric
ward instead of jail after the infamous wreck in the stolen car with Herbert
Huncke, Vickie Russell, and Little Jack Melody. Elise was in Bellevue Hospital
during one of her episodes of depression. When Allen became lovers with Peter
Orlovsky, Elise took a woman lover named Sheila and, at one point, the two
couples even shared an apartment.
After her graduation from Barnard, Elise became depressed
more often and was never completely free of the shadows. She took a job as a
typist and had a dismal career, typing at night, drinking red wine, and writing
poetry in secret. After being fired from her job, she ran away to San
Francisco, disappearing from view. The Elise that returned to New York a year
later was changed: thinner and quieter, she seemed even more haunted than
before.
Elise was admitted to Bellevue for infectious hepatitis. Her
parents had her transferred to a psychiatric facility in Queens and signed her
out against doctor’s orders after a few months even though Elise was suffering
auditory hallucinations and paranoia. Their plan was to take Elise with them on
a Florida vacation, but Elise never made the trip. On February 16, 1962, she
jumped out of the window of her parent’s living room in Washington Heights. She
died instantly. The police noted that the window was still locked—Elise had
jumped through a closed window.
None of her poetry was published in her lifetime, but
eighty-three poems have rested in a box in her friend Leo Skir’s apartment in
Minneapolis; her remaining poems and journals were destroyed by her family
after her death. Over the years, Leo, a still-loyal friend, has sent some of
Elise’s poems to The Ladder and
several small literary magazines.
Sitting
Sitting with you in the kitchen
Talking of anything
Drinking tea
I love you
“The” is a beautiful, regal, perfect word
Oh I wish you body here
With or without bearded poems
This is believed to be
the last poem that Elise Cowen ever wrote:
No love
No compassion
No intelligence
No beauty
No humility
Twenty-seven years is enough
Mother—too late—years of meanness—I’m sorry
Daddy—What happened?
Allen—I’m sorry
Peter—Holy Rose Youth
Betty—Such womanly bravery
Keith—Thank you
Joyce—So girl beautiful
Howard—Baby take care
Leo—Open the window and Shalom
Carol—Let it happen
Let me out now please—
—Please let me in